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World Languages & International Studies



Megan DeVirgilis

Megan DeVirgilis, Ph.D.

Associate Professor of Spanish and Fulbright Program Director, World Languages & International Studies

Office: Holmes Hall 311-D
megan.devirgilis@morgan.edu

Education:
Ph.D. in Spanish (Temple University)
M.A. in Spanish (Temple University)
B.A. in Spanish, Minor in Anthropology (Temple University)

Teaching anf Research Interests

My teaching interests include all levels of Spanish language, Latin American cultural production and civilizations, and translation. My research centers on the relationship between ideology and cultural production, with a special focus on gothic strategies in literature and film. My recent book, The Female Vampire in Hispanic Literature: A Critical Anthology of Turn of the 20th Century Gothic-Inspired Tales (University of Wales Press, 2024) was funded by the National Endowment for the Humanities, as is my current research project, "Gothic Foundations: The Civilizing Project of a Forgotten Nineteenth-Century Novel by Colombia's First President of African Descent." These projects inform my forthcoming Fall 2025 course, SPAN 306: The Politics of Monstrosity in 20th and 21st Century Latin American Literature and Film.

Recent Courses Taught

SPAN 101 Elementary Spanish I
SPAN 102 Elementary Spanish II
SPAN 203 Intermediate Spanish I
SPAN 204 Intermediate Spanish II
SPAN 420 Translating & Interpreting Spanish I

SPAN 450 Special Topics: Constructing Gender and National Identities in Latinx Literature and Film
LACS 200: Introduction to Latin American and Caribbean Studies

Selected Publications

Women’s Agency and the Gothic in Spain and the Americas. Co-edited with Sandra García Gutiérrez. Manchester University Press (Forthcoming 2025).

The Female Vampire in Hispanic Fiction: A Critical Anthology of Turn-of-the-Twentieth Century Gothic-Inspired Tales. University of Wales Press, 2024.

“Tensiones ideológicas, sociales y económicas en ‘Vampiro’: relato gótico de Emilia Pardo Bazán.” Entropía: Revista de terror en el arte español e hispanoamericano 3 (2022): 25-41. https://revista-entropia.com/ojss/index.php/entropia/issue/view/3

"O Father, Where Art Thou? Grief and Cannibal Culture in Somos lo que hay (2010)." Grief in Contemporary Horror Cinema: Screening Loss. Lexington Books, 2022. 107–26.

"Hearth and Home and Horror: Gothic Trappings in Early Twentieth-Century Latin American Literature." Gothic Studies 23.2 (2021): 201-216.

"Lugones and the Woman Question: Reconsidering the Status Quo and Reimagining the Femme Fatale in His Early Works." Bulletin of Hispanic Studies 96.3 (2019): 307-321. 

Translation. "After the End of History: Horror Cinema in Neoliberal Spain (2002-2013)" by Víctor Pueyo. Tracing the Borders of Spanish Horror: Essays on Contemporary Spanish Horror and Television. Routledge, 2017. 141-160

"The Sublime as a Response to Terror: A Study of Empiricism and Transcendence in Gustavo Adolfo Bécquer's 'El monte de las ánimas'." Entrehojas: Revista de Estudios Hispánicos 2.1/6 (2012): 1-13.